Alkimyst
Double Actioner
Hi Guys,
I've had two questions regarding practice I've wanted to ask here for some time - but held back - thinking I could find answers elsewhere online or in the forum archives... alas, I didn't find a complete answer so here it goes:
1. What are your thoughts on dot/line/dagger/fade practice exercise speed? For example, in Daniel's course (for those of you taking it as well), he suggests slow speed, gradual buildup of the target, which I have been doing.
Conversely, some of the resources in the 'customs' community that I have seen recommend blasting through tighter (smaller grid) control exercises as quickly and as accurately as possible, with the thinking that you can always slow down, but speed/accuracy is harder to develop if you only shoot slowly (Rob @ DredFX comes to mind). To be honest, I've been doing both - alternating between low-pressure, gradual build-up drawn out grids, dots, fades, and higher pressure (40-45 psi/ createx paint), fast-paced exercises - some on news print, some on paper towels. Which brings me to question #2...
2. T-Shirt Airbrushing and Calligraphy: does anyone have any practice tips, other than practicing lots of thick/thin loops [thanks @ airbrushtutor, wherever in OZ you are keep spreading the love!] or attempting to mimic people who are already quite proficient - Dale the Airbrush Kid, I mean, GUY.
or Ken Johnson?
Photorealism is the ideal goal down the road, but currently I find that when I practice, spraying at higher pressures and on paper towels is oddly satisfying. I'd just like to tighten up the cursive. (Uh, I think I may have answered my own question...) I know: more reps.
So I guess, for those who have been down this road ahead of us beginners, any direction, especially on the calligraphy, is much appreciated.
Off to test the Badger 155 with the bent needle tip
I got today in the mail. I've been alternating between top/bottom-feed Iwata HP-CS/BPS's to practice lately; I noticed that the T-Shirt artists all seem to use bottom feed brushes, I'm guessing due to the quick bottle changes and paint volume sprayed.
Cheers!
Al
I've had two questions regarding practice I've wanted to ask here for some time - but held back - thinking I could find answers elsewhere online or in the forum archives... alas, I didn't find a complete answer so here it goes:
1. What are your thoughts on dot/line/dagger/fade practice exercise speed? For example, in Daniel's course (for those of you taking it as well), he suggests slow speed, gradual buildup of the target, which I have been doing.
Conversely, some of the resources in the 'customs' community that I have seen recommend blasting through tighter (smaller grid) control exercises as quickly and as accurately as possible, with the thinking that you can always slow down, but speed/accuracy is harder to develop if you only shoot slowly (Rob @ DredFX comes to mind). To be honest, I've been doing both - alternating between low-pressure, gradual build-up drawn out grids, dots, fades, and higher pressure (40-45 psi/ createx paint), fast-paced exercises - some on news print, some on paper towels. Which brings me to question #2...
2. T-Shirt Airbrushing and Calligraphy: does anyone have any practice tips, other than practicing lots of thick/thin loops [thanks @ airbrushtutor, wherever in OZ you are keep spreading the love!] or attempting to mimic people who are already quite proficient - Dale the Airbrush Kid, I mean, GUY.
Photorealism is the ideal goal down the road, but currently I find that when I practice, spraying at higher pressures and on paper towels is oddly satisfying. I'd just like to tighten up the cursive. (Uh, I think I may have answered my own question...) I know: more reps.
So I guess, for those who have been down this road ahead of us beginners, any direction, especially on the calligraphy, is much appreciated.
Off to test the Badger 155 with the bent needle tip
Cheers!
Al